{"id":79680,"date":"2025-03-13T02:28:00","date_gmt":"2025-03-13T02:28:00","guid":{"rendered":"https:\/\/salon21.univie.ac.at\/?p=79680"},"modified":"2025-03-13T06:38:05","modified_gmt":"2025-03-13T06:38:05","slug":"conference-all-the-rage-the-challenges-of-female-anger-02-04-04-2025-vienna","status":"publish","type":"post","link":"https:\/\/salon21.univie.ac.at\/?p=79680","title":{"rendered":"Conference: All the Rage. The Challenges of Female Anger, 02.-04.04.2025, Vienna"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-79681 size-thumbnail\" title=\"Nina Pagalies, springmagazin.de\" src=\"https:\/\/salon21.univie.ac.at\/wp-content\/uploads\/2025\/02\/Nina_Pagalies_1-klein-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><strong>ifk. Internationales Forschungszentrum Kulturwissenschaften &#8211; Kunstuniv. Linz in Wien: Julia Boog-Kaminski und Alexander Draxl<\/strong> <a href=\"https:\/\/ifk.ac.at\/kalender-detail\/all-the-rage-the-challenges-of-female-anger.html\" target=\"_blank\" rel=\"noopener\">(Web)<\/a><\/p>\n<p>Zeit: 02.-04.04.2025<br \/>\nOrt: ifk Arkade, Reichsratsstr. 17,1010 Wien &#8211; und ifk@Zoom<br \/>\nRegistrierung f\u00fcr die Onlineteilnahme (hinunterscrollen) <a href=\"https:\/\/ifk.ac.at\/kalender-detail\/all-the-rage-the-challenges-of-female-anger.html\" target=\"_blank\" rel=\"noopener\">(Web)<\/a><\/p>\n<p><strong>Programme<\/strong><\/p>\n<p><strong>Wed., 02.04.2025<\/strong><br \/>\n&#8211; Iris D\u00e4rmann, D\u00e9borah Brosteaux und Fiona Wachberger: Sadismus mit und ohne Sade (Workshop)<br \/>\n&#8211; Julia Boog-Kaminski and Alexander Draxl: Greeting and Introduction<br \/>\n&#8211; Marina Rauchenbacher: Taking Up Space. Feminist\/Women\u2019s Rage in Comics<br \/>\n&#8211; Paige Sweet: Rage. A Fragment of an Analysis of a Case of Hysteria<br \/>\n&#8211; Lisa Downing: Female Rage\/Female Reason. A Paradox for 21st-Century Feminism<\/p>\n<p><strong>Thu., 03.04.2025<\/strong><br \/>\n&#8211; Iris D\u00e4rmann: Netzwerke weiblichen Widerstands in Auschwitz<br \/>\n&#8211; D\u00e9borah Brosteaux: Frauen im Faschismus. Eine Relekt\u00fcre von Maria Antonietta Macciocchi<br \/>\n&#8211; Esther Lehnert: Women in the Far Right. The Dark Side of Female Anger?<br \/>\n&#8211; Ute Frevert: Rage, Honour, Shame. A Gendered History<br \/>\n&#8211; Julia Boog-Kaminski and Lena Ekelund: On the Representation of Female Rage in Contemporary Literature<br \/>\n&#8211; Fatma Aydemir Ellbogen (Lesung und Gespr\u00e4ch)<\/p>\n<p><strong>Fri., 04.04.2025<\/strong><br \/>\n&#8211; Julia Freytag: Die Tochter Elektra. Eine Figur weiblicher Wut in Literatur und Psychoanalyse<br \/>\n&#8211; Fiona Wachberger: Stille Wut. Weibliche Gewalt an der Schnittstelle von Wirklichkeit und Fiktion<br \/>\n&#8211; Marlene Streeruwitz im Gespr\u00e4ch mit Alexander Draxl: Dauerzust\u00e4nde des Affektiven<\/p>\n<p>Everyone seems to be angry these days, but female anger in particular is surfacing in unprecedented forms and shades. <!--more-->Numerous examples from politics, theory, art, and literature speak to the proliferation of female rage, from Greta Thunberg\u2019s \u00bbHow dare you!\u00ab and the resentment voiced by the BLM co-founders to countless new literary and academic titles. Writers like Leslie Jamison, Brittney Cooper, and Soraya Chemaly follow in the footsteps of Audre Lorde\u2018s The Uses of Anger (1981), (re)claiming and embracing an emotion long denied to women. In fictional works such as Fatma Aydemir&#8217;s Ellbogen (2017) or Virginie Despentes\u2019 Cher connard (2022), however, the ambivalences of this self-empowering feeling also become evident. The social and political sciences, for example, have recently started to look closely at the role of women\u2019s anger in right-wing milieus, which has long been considered male-dominated.<br \/>\nOne of the challenges of anger is that it is essentially selfjustifying: Figures of all political stripes insist on the legitimacy of their feelings, their right to be heard. How can (queer-)feminist theory contend with the explosive contradictions, the fraught aptness of anger? What would a conception of female anger look like that takes seriously the pitfalls, intersections, and double binds at its base? What would a history of female anger entail? Is there a framework that allows us to navigate the line between the use and abuse of anger? Together with scholars, activists, artists, and writers, we want to explore the complexities and ambiguities of this emotion at a time when female anger is all the rage.<\/p>\n<p>Registration for the workshop: hoegler@ifk.ac.at<\/p>\n<p>More information will be available at the website <a href=\"https:\/\/ifk.ac.at\/kalender-detail\/all-the-rage-the-challenges-of-female-anger.html\" target=\"_blank\" rel=\"noopener\">(Web).<\/a><\/p>\n<p>Quelle: Newsletter ifk<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ifk. Internationales Forschungszentrum Kulturwissenschaften &#8211; Kunstuniv. Linz in Wien: Julia Boog-Kaminski und Alexander Draxl (Web) Zeit: 02.-04.04.2025 Ort: ifk Arkade, Reichsratsstr. 17,1010 Wien &#8211; und ifk@Zoom Registrierung f\u00fcr die Onlineteilnahme (hinunterscrollen) (Web) Programme Wed., 02.04.2025 &#8211; Iris D\u00e4rmann, D\u00e9borah Brosteaux und Fiona Wachberger: Sadismus mit und ohne Sade (Workshop) &#8211; Julia Boog-Kaminski and Alexander Draxl: [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,7,11],"tags":[],"class_list":["post-79680","post","type-post","status-publish","format-standard","hentry","category-events","category-history-of-european-womens-movements","category-topic_lgbtiq-flit"],"_links":{"self":[{"href":"https:\/\/salon21.univie.ac.at\/index.php?rest_route=\/wp\/v2\/posts\/79680","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/salon21.univie.ac.at\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/salon21.univie.ac.at\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/salon21.univie.ac.at\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/salon21.univie.ac.at\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=79680"}],"version-history":[{"count":10,"href":"https:\/\/salon21.univie.ac.at\/index.php?rest_route=\/wp\/v2\/posts\/79680\/revisions"}],"predecessor-version":[{"id":80075,"href":"https:\/\/salon21.univie.ac.at\/index.php?rest_route=\/wp\/v2\/posts\/79680\/revisions\/80075"}],"wp:attachment":[{"href":"https:\/\/salon21.univie.ac.at\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=79680"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/salon21.univie.ac.at\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=79680"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/salon21.univie.ac.at\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=79680"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}