Project „Light On! Queer Literatures and Cultures under Socialism“, Univ. of Regensburg, Tatiana Klepikova (Web)
Time: 05.-06.06.2025
Venue: Univ. of Regensburg
Proposals by: 29.01.2025
Queer theater has always been the site of utopia, hope, and community-building (Dolan 2005; Muñoz 2009), where queer desire and non-normative imaginaries are celebrated. That said, it has never come without a struggle. In 2024-25, there are many places around the world where queer theater seems impossible but still exists; where it thrives in the open but had to take a long road to do so; or where the futures may seem uncertain.
This conference seeks to explore the paths that queer theater companies, directors, and playwrights across the world have taken throughout the twentieth- and twenty-first centuries to speak queerness to power against normative orders of gender and sexuality. The latter have undergone massive transformations since the early modern era and have come to constitute a core element of the biopolitics of power from the Americas to Africa, Europe, Asia, Australia and Oceania. Darkened theater rooms across the planet have been one site of many, where queerness has come to be negotiated vis-à-vis authoritarian regimes, conservative governments, and religious ideologies. This conference sets out to map such theater spaces across the globe, historicize and contextualize them, while also examining their generative potential for critical theory.
The organisers invite academic and artistic contributions from Gender and Queer Studies, Theater and Performance Studies, Cultural Studies, History, and other disciplines. We welcome abstracts that explore state-funded theaters, underground theaters, and independent theater collectives, as well as directing, drama, and playwriting in the context of global and regional shifts in thinking about non-normative gender and sexuality throughout the twentieth- and twenty-first centuries.
The organisers start the conversation with the following questions in mind but do not limit the inquiry to them:
– What counts as queer theater and gets censored in different contexts?
– What are the modalities of such censorship?
– How does queer theater articulate itself as such vis-à-vis hegemonic norms of gender and sexuality? What is the role of identity, desire, gender subversion?
– What role do other aspects of identity, such as race, class, age, ethnicity, ability, and beyond, play in negotiating the place of queer theater in the state and society? Continue reading