IFSGen. The Romanian Network for Women’s and Gender History (Web)
Time: 19.-21.11.2026
Venue: virtual space
Proposals by: 15.10.2026
On the publication of his book of essays, Love and Marriage in the Middle Ages, Georges Duby examined the question of male dominance in medieval society and at the same time pointed out the limited and one-sided nature of the sources that historians depend on when reconstructing women’s history. Since 1988, Duby’s statements have been modified and corrected, especially as a result of the emergence of new historical methods and the progress of the feminist movements. More voices and sources from women – such as memoirs, diaries, autobiographies and artistic works – have now been included in the (re)construction of women’s history. As a result, the recovery of historical writings produced by women has not only broadened our knowledge of the past but also enabled us to understand it in a more nuanced manner by considering women’s experiences and memories.
Similarly, the memoirs and diaries of people like Anne Frank, Simone de Beauvoir, Virginia Woolf, Queen Marie of Romania, Monica Lovinescu, Martha Bibescu, Cornelia Blaga Brediceanu, Marta Trancu-Rainer, and Elena Hartulari have helped ensure their positions in cultural memory, in some instances making them emblematic female figures or even archetypal heroines. Historians have generally concentrated on or restricted themselves to the experiences of these women. Although this has been useful in reconstructing the worlds and experiences of women, it has also involved certain risks, especially the marginalisation or neglect of other women. A result of this method has been the creation of a history mainly focused on ‚female elites‘ – a trend which is still evident in school curricula, for example – in which the majority of women have been treated as a single collective group and have thus remained anonymous.
In view of this, the fourth conference in the IFSGen series wishes to give renewed attention to women’s writings and to the female figures whose contributions have helped lead to a more detailed understanding of major historical events. It also aims to go beyond the existing canon of well-known women and to examine how far it is possible to write the history of those who have remained nameless—women coming from diverse social and professional backgrounds who have generally escaped the notice of historians. Read more … (PDF)

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